2010 Stomach Virus Symptoms

Decadent Critic Mount - For Lucho Bordegaray

theater / / ME, Leticia Torres

What we mean by success? Almost always, socially visible achievements: university degree, travel, clothing, art, car, senior, home and many etceteras as carrots proposes the good capitalism. So if this talk, the achievements are measurable and comparable. And ... enviable. Yoko Onda
speaks of it. (In case anyone did not notice, his initials and the title of this show we put on notice.) She shows us images of his life, seeing and telling, we discover more deprived than others: the heap of their achievements is much lower than the piles of those beside him. And I simply browse what's in a pile outside to see what she lacks. And it is easy to catch up, knowing that behind a red nose all right, and can stop time, just like that, so what? - to quickly achieve everything in her life had obtained. But she does not know Yoko is that time is closely related to variations, and even though the formula has to stop its mad rush to catch all those achievements did not generate a heap in his time, which will Yoko time or a long wave, but it is time to end.
Finally, Yoko proposes (and we are proposing) a solution. A personal solution, no group, because even if reminiscent hippies on their behalf, there are limitations postmodern in its name, and cool (it has no intention of revolutionizing any system) you enough to want to enjoy what you have and not worry so you do not. Not appear sufficient if we compared with the large debts that come with society to itself, but a lot if we think that most of the speeches tend to keep running in pursuit of personal montocito and nothing else. Ultimately, we will not require Yoko to do everything the rest of humanity does not do every day, how much!
To say this, Leticia Torres uses the permissions that the clown you Frank, as innocence, tenderness, simplicity and ease. (Go little list! All products that are scarce or missing in the stock of our lives from a time that we gave ourselves adults.) And the extreme, so that his innocence to the limit with irreverence, their nonchalance flirts with lewdness, her affection might appear as debauchery, and its simplicity, as beautiful sonsera. But that does not allow Yoko overdo it: she flirts with crossing, fakes take a small step beyond what is owed, but not much more, because beyond the obvious is, and necessarily becomes obvious, for it where there is no progress. Well I know as much as Maximilian Sarramona Leticia Torres, the director, also trained in the art of clowning. And do not go there.
multimedia delivery in time to reach you I with an overhead projector because the media is in the flexibility of an interpreter. And while allowing some licenses to get juice to anything he perceives in the audience, Yoko / Torres is careful and restrained from the address, because no doubt that if she were, would open many other games and tell a thousand stories because energy and resources are not lacking.