At least that's what I saw. In this issue: Mauricio servants Wing Kartun 
Before turning to the topic at hand-the work, wanted to give a brief explanation that is found. The idea (we'll see then if we can materialize) is to share our experience regarding a particular work. We do not claim, or want-to critique. We are wary enough of that word. Nor will a comprehensive review. You may leave items in the work side and accentuate others as has been our particular vision of the application. We think more like the comment of a friend. Try to be objective without forgetting that total objectivity is impossible. With these clarifications, let what matters.
genres tend to be necessary both for understanding the explanation of a work. But often the classification becomes a watertight compartment that can not see the nuances that contain the various genres. Raised wing is a comedy, if it is to laugh, but with many nuances, dramatic, black, dark.
Raised Wing premiered last year with a very good public response and criticism. First of all what has been said, it's hard to say something new. But I'll try.
The story takes place in a private club in Mar del Plata, the Pigeon Club, during the "Tragic Week." But while working repression is going on in Buenos Aires in "happy" three very aristocratic cousins, Tatana, Emilio and Pancho, whom are not allowed to enter to the "Patriotic League" local, form their own group and begin to attack massacre as an anarchist, in principle Youth Modern Library, and striking workers can. Always with the absent but very present in their minds, look for the "tata", the family patriarch, hovering over them.
revenge But this class could not be carried out without the complicity of a club employee, Pedro, who claims not to be a servant (but a self-employed) and tries to act as if it were but inevitably can not get out of what it is: a simple servant who meets the needs, and sexual materials "of" children "War. Peter, who tries to look like the above but ends, averaging history, chained to the bottom.
Tatana, played by Laura López Moyano - is responsible for telling the story. Each of the phrases that states have no waste, brutality, humor and cynicism that counts is the highlight events of the play. She does not mean metaphors but says he hates poetry, but ends up bringing that down Bloody Marys and embarks on his cousins \u200b\u200band Peter in the brutal hunting of strikers.
The cousins \u200b\u200bplayed by Stephen Bigliardi and Rodrigo Gonzales Garillo - most packages them at first, then embark on the brutal killing spree, drug and lack of it, however, seems to be just another game and a way to show the "Tata" their worth. But all this happening under the aegis of the Pigeon Club, ie, about class and status but a safe distance from the actual killing.
Pedro, by the actor Alberto Ajaka , meanwhile, has bought pigeons that can tangle shot club members and hopes that the "Tata" to decide to pay. But this is too busy handling the repression Buenos Aires to worry about employee problems spa.
The book works because it manages to reflect with humor and cynicism not only class differences but also the emerging contradictions between this class new is the Argentine proletariat and the old oligarchic class that does not give up their privileges.
This is a work in which nothing is left to chance, in which each element of the plot, along with sound, lighting, costumes, and technically have a sense, are not there for nothing. The body, from the bodies found, sweat, saliva leaking through the mouth, complete the realism of the work and filled with a carnal emotions.
Raised Wing presented on Fridays and Saturdays at 21 pm and Sunday at 20 in the Teatro del Pueblo, Avenida Roque Sáenz Peña 943.
Queen Rosko.
