The question that hovers over all the work is: How do we face the reality that is changing all the time? How to grasp the reality that we like sand slips through your fingers? How do we deal with the changes, the metamorphosis?
The way 4 seasons addresses the response to these questions is anything but solemn. Rather, it deals in a fun and fantastic. So we are seeing Katel brothers, played by Flor Sartelli , Julian Rona Rodriguez Leonardo Volpedo and , fighting to save the family fabric business, season after season without knowing how, while Joseph, the father, suffers a rare mutation that will eventually turn it into an angry bird.
fantasy
As partners, witnesses and informants in the brothers in this process we find the mannequins. These puppets are by no means a part of the scenery but also operate as three characters, so important in the work as the three actors. As the work progresses, you end up feeling that the dummies have a personality and life. This feeling is produced by the fantastic management actors do the same, that lend their voices and their bodies end up imprinting the dolls a feeling that they are alive.
As partners, witnesses and informants in the brothers in this process we find the mannequins. These puppets are by no means a part of the scenery but also operate as three characters, so important in the work as the three actors. As the work progresses, you end up feeling that the dummies have a personality and life. This feeling is produced by the fantastic management actors do the same, that lend their voices and their bodies end up imprinting the dolls a feeling that they are alive.
The same is true of puppet father yells orders to the three brothers who do not know what to do with him, claiming to bring this or that material, he sings tangos and gives speeches. The puppet ends up being the puppeteer who guides the actions of their children.
Noteworthy is the work of Nicholas Botte and all equipment in the construction of both the puppet who makes the father of the dummies. Because the commitment to work with puppets is high and here come all airy.
The constant mix of reality that overwhelms the brothers Katel-the commercial splendid past away like a boat adrift, and the unreality in which they live produces a contrast that keeps the interest in the work during the 60 minutes hard work.
Bruno Schultz, whose poetry inspired the work is not well known in Argentina as the reference may not be appreciated by the public. But if you can say that anyone who has read Franz Kafka may find similarities between his work and fantastic elements 4 seasons.
The Hall of The shrine of the Muses, which shows the work is perfect so that there is contact between the audience and actors. Without being directly challenged, who witnessed the work we can feel the contact with the bodies, fabrics and intensity that is on stage. And at times you feel a voyeur, peep in the privacy of the family, each of the brothers in particular, its follies, its absurdities and oddities.
4 seasons, led by Javier Swedzky and dramatized by Peter Sedlinsky is presented in the dressing room of the Muses (Mario Bravo 960) every Thursday at 21:30 hours. Queen
Rosko.
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